Karen Blixen's "The Poet" and Søren Kierkegaard's 'Gjentagelsen'

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Standard

Karen Blixen's "The Poet" and Søren Kierkegaard's 'Gjentagelsen'. / Bunch, Mads.

I: European Journal of Scandinavian Studies, Bind 44, Nr. 2, 08.12.2014, s. 165-185.

Publikation: Bidrag til tidsskriftTidsskriftartikelForskningfagfællebedømt

Harvard

Bunch, M 2014, 'Karen Blixen's "The Poet" and Søren Kierkegaard's 'Gjentagelsen'', European Journal of Scandinavian Studies, bind 44, nr. 2, s. 165-185.

APA

Bunch, M. (2014). Karen Blixen's "The Poet" and Søren Kierkegaard's 'Gjentagelsen'. European Journal of Scandinavian Studies, 44(2), 165-185.

Vancouver

Bunch M. Karen Blixen's "The Poet" and Søren Kierkegaard's 'Gjentagelsen'. European Journal of Scandinavian Studies. 2014 dec. 8;44(2):165-185.

Author

Bunch, Mads. / Karen Blixen's "The Poet" and Søren Kierkegaard's 'Gjentagelsen'. I: European Journal of Scandinavian Studies. 2014 ; Bind 44, Nr. 2. s. 165-185.

Bibtex

@article{875135a0560c4d20baf085697b7424a5,
title = "Karen Blixen's {"}The Poet{"} and S{\o}ren Kierkegaard's 'Gjentagelsen'",
abstract = "AbstractIt is commonly acknowledged within Karen Blixen scholarship that some of Blixen{\textquoteright}s tales are literary responses to other works from world literature. In this paper I will argue that the tale “The Poet” from Seven Gothic Tales (1934) should be included in this line-up of responses as a literary response to S{\o}ren Kierkegaard{\textquoteright}s Gjentagelsen (Repetition) from 1843. Through juxtapositions of quotes and analysis of plot development and character constellations, I will show how Blixen redevelops the plot and reverses the characters from Kierkegaard{\textquoteright}s Gjentagelsen. I will pay particular attention to a reoccurring character in Kierkegaard{\textquoteright}s production: the elderly bachelor esthete (Constantin Constantius), whom Blixen in “The Poet” exposes as a demonic, yet comical character. I will conclude by pointing out that repetition should be acknowledged as an integral part of Blixen{\textquoteright}s poetics, since she consistently repeats archetypal plots and characters from world literature in her works that at the same time are completely new and original, following the dialectics of repetition.",
keywords = "Faculty of Humanities, Karen Blixen, Isak Dinesen , S{\o}ren Kierkegaard, Gjentagelsen , The Poet, Digteren, Dansk litteraturhistorie, Harold Bloom, Karen Blixen, Isak Dinesen, Comparative Literature, S{\o}ren Kierkegaard, Scandinavian Studies, Scandinavian Literature, Danish Literature",
author = "Mads Bunch",
year = "2014",
month = dec,
day = "8",
language = "English",
volume = "44",
pages = "165--185",
journal = "European Journal of Scandinavian Studies",
issn = "2191-9399",
publisher = "De Gruyter",
number = "2",

}

RIS

TY - JOUR

T1 - Karen Blixen's "The Poet" and Søren Kierkegaard's 'Gjentagelsen'

AU - Bunch, Mads

PY - 2014/12/8

Y1 - 2014/12/8

N2 - AbstractIt is commonly acknowledged within Karen Blixen scholarship that some of Blixen’s tales are literary responses to other works from world literature. In this paper I will argue that the tale “The Poet” from Seven Gothic Tales (1934) should be included in this line-up of responses as a literary response to Søren Kierkegaard’s Gjentagelsen (Repetition) from 1843. Through juxtapositions of quotes and analysis of plot development and character constellations, I will show how Blixen redevelops the plot and reverses the characters from Kierkegaard’s Gjentagelsen. I will pay particular attention to a reoccurring character in Kierkegaard’s production: the elderly bachelor esthete (Constantin Constantius), whom Blixen in “The Poet” exposes as a demonic, yet comical character. I will conclude by pointing out that repetition should be acknowledged as an integral part of Blixen’s poetics, since she consistently repeats archetypal plots and characters from world literature in her works that at the same time are completely new and original, following the dialectics of repetition.

AB - AbstractIt is commonly acknowledged within Karen Blixen scholarship that some of Blixen’s tales are literary responses to other works from world literature. In this paper I will argue that the tale “The Poet” from Seven Gothic Tales (1934) should be included in this line-up of responses as a literary response to Søren Kierkegaard’s Gjentagelsen (Repetition) from 1843. Through juxtapositions of quotes and analysis of plot development and character constellations, I will show how Blixen redevelops the plot and reverses the characters from Kierkegaard’s Gjentagelsen. I will pay particular attention to a reoccurring character in Kierkegaard’s production: the elderly bachelor esthete (Constantin Constantius), whom Blixen in “The Poet” exposes as a demonic, yet comical character. I will conclude by pointing out that repetition should be acknowledged as an integral part of Blixen’s poetics, since she consistently repeats archetypal plots and characters from world literature in her works that at the same time are completely new and original, following the dialectics of repetition.

KW - Faculty of Humanities

KW - Karen Blixen

KW - Isak Dinesen

KW - Søren Kierkegaard

KW - Gjentagelsen

KW - The Poet

KW - Digteren

KW - Dansk litteraturhistorie

KW - Harold Bloom

KW - Karen Blixen

KW - Isak Dinesen

KW - Comparative Literature

KW - Søren Kierkegaard

KW - Scandinavian Studies

KW - Scandinavian Literature

KW - Danish Literature

M3 - Journal article

VL - 44

SP - 165

EP - 185

JO - European Journal of Scandinavian Studies

JF - European Journal of Scandinavian Studies

SN - 2191-9399

IS - 2

ER -

ID: 60879612