TY - ABST

T1 - Sport on short form videos - football fans on TikTok

AU - Olesen, Mogens

PY - 2023/11/9

Y1 - 2023/11/9

N2 - Increasingly, and especially among younger generations, sport is consumed through short, spectacular, highlight-focused formats as opposed to – or in addition to – watching entire games, matches, races etc. Short-form media includes e.g., memes, TikTok videos, YouTube shorts and Instagram reels that often frame and reconfigure sport and sport athletes in particularly interesting, sensational, comical contexts and framings. The emergence of sport as short form content has a range of implications. Commercially, there are assumed effects on the economic models underlying sports media with a potent shift towards highlights content in addition to the traditionally lucrative live rights. To my knowledge, no academic literature exists on this topic involving a media theoretical perspective. However, aiming to function as an introduction to the topic, this paper takes a text analytical approach by focusing culturally on the ways short form platforms offer new forms of communicative affordances (Zulli & Zulli 2020). Methodologically, an ethnographic approach (Schellewald 2021, Stahl & Literat 2022, Vaterlaus & Winter 2021) is applied to examining how these media formats are involved in establishing entirely new ways of presenting, consuming, and discussing sport. This perspective includes identifying main genre formats among sport related content in short form media with specific attention to memetic (Milner 2016, Olesen 2016, Shifman 2014) formats, including how common meme genres such as lib dubs, image macros and rage comics (Miltner 2018) are adapted to sport culture. As noted by Jenkins et al. (2013), lack of context as a pillar of internet culture. Nowadays, the effect of cutting out the context, i.e., recontextualizing, of any digital-cultural artefact is crucial to its memetisation. Within sport culture, this includes highlighting special sporting performances often with the aim of praising, pointing out controversies or achieve comical effect. Such selections are marked by border moments (Whannel 1992) that create eye catching visual narratives.Other possible topics of interest include uses of affect and emotion, gender, signals of communities and identities and as well as comparing different sport stakeholders’ such as athletes, organizations and fans, usage of short form media. Literature:• Jenkins, H., Ford, S., & Green, J. (2013). Spreadable Media: Creating Value and Meaning in a Networked Culture. NYU Press. • Milner, Ryan M. (2016). The World Made Meme: Public Conversations and Participatory Media. Cambridge: The MIT Press• Miltner, K. (2018). Internet Memes. In: The SAGE Handbook of Social Media. 55 City Road, London: SAGE Publications Ltd.https://doi.org/10.4135/9781473984066 • Olesen, M. (2016). Meme. In International Encyclopedia of Communication Theory and Philosophy. part 2, Wiley-Blackwell, Chichester, Wiley-Blackwell-ICA International Encyclopedias of Communication Series, p. 1200-1204.

AB - Increasingly, and especially among younger generations, sport is consumed through short, spectacular, highlight-focused formats as opposed to – or in addition to – watching entire games, matches, races etc. Short-form media includes e.g., memes, TikTok videos, YouTube shorts and Instagram reels that often frame and reconfigure sport and sport athletes in particularly interesting, sensational, comical contexts and framings. The emergence of sport as short form content has a range of implications. Commercially, there are assumed effects on the economic models underlying sports media with a potent shift towards highlights content in addition to the traditionally lucrative live rights. To my knowledge, no academic literature exists on this topic involving a media theoretical perspective. However, aiming to function as an introduction to the topic, this paper takes a text analytical approach by focusing culturally on the ways short form platforms offer new forms of communicative affordances (Zulli & Zulli 2020). Methodologically, an ethnographic approach (Schellewald 2021, Stahl & Literat 2022, Vaterlaus & Winter 2021) is applied to examining how these media formats are involved in establishing entirely new ways of presenting, consuming, and discussing sport. This perspective includes identifying main genre formats among sport related content in short form media with specific attention to memetic (Milner 2016, Olesen 2016, Shifman 2014) formats, including how common meme genres such as lib dubs, image macros and rage comics (Miltner 2018) are adapted to sport culture. As noted by Jenkins et al. (2013), lack of context as a pillar of internet culture. Nowadays, the effect of cutting out the context, i.e., recontextualizing, of any digital-cultural artefact is crucial to its memetisation. Within sport culture, this includes highlighting special sporting performances often with the aim of praising, pointing out controversies or achieve comical effect. Such selections are marked by border moments (Whannel 1992) that create eye catching visual narratives.Other possible topics of interest include uses of affect and emotion, gender, signals of communities and identities and as well as comparing different sport stakeholders’ such as athletes, organizations and fans, usage of short form media. Literature:• Jenkins, H., Ford, S., & Green, J. (2013). Spreadable Media: Creating Value and Meaning in a Networked Culture. NYU Press. • Milner, Ryan M. (2016). The World Made Meme: Public Conversations and Participatory Media. Cambridge: The MIT Press• Miltner, K. (2018). Internet Memes. In: The SAGE Handbook of Social Media. 55 City Road, London: SAGE Publications Ltd.https://doi.org/10.4135/9781473984066 • Olesen, M. (2016). Meme. In International Encyclopedia of Communication Theory and Philosophy. part 2, Wiley-Blackwell, Chichester, Wiley-Blackwell-ICA International Encyclopedias of Communication Series, p. 1200-1204.

M3 - Conference abstract for conference

Y2 - 9 November 2023 through 10 November 2023

ER -